100 Essential Films that Deserve more Attention - 3. The Incident

People embrace the enchanting glow of the big screen for all manner of reasons; to journey to faraway places they could only ever imagine, to experience the escapism of a captivating story, or maybe to indulge in an obsession with the world of cinema. For me, all three of these reasons apply - and many more - but first and foremost is the satisfaction of recommending obscure films to other like-minded individuals who adopt them as their new favourites.

With over 100 years worth of films to choose from, and many of these now available at the click of a button, it can be extremely difficult to narrow your choices down to pick a film to watch. Although cinema has been around for over four times longer than my life on this earth, I have spent what some may consider an unhealthy amount of these years delving into the history of films to discover some of the best hidden gems out there.

This series of articles aims to highlight the overlooked masterpieces that I have unearthed whilst exploring the forgotten recesses of cinema. Take a gamble on any one of these films and I guarantee that you will be eagerly awaiting all future instalments in this series. You may well have heard of a number of these films; my aim isn't merely to shine a spotlight on the most obscure films out there, but to share my enjoyment of those films which don't have the cult following I believe they deserve.

The Incident
Director - Larry Peerce
Country - USA

Year - 1967

Runtime - 107 Minutes

1967 was a milestone year for American cinema. The success of ground-breaking films such as Bonnie & Clyde, The Graduate and In the Heat of the Night paved the way for film-makers to show more violence and tackle subjects that were previously deemed too risqué or controversial for the general public. One such film also released in 1967 that is arguably more provocative than the aforementioned titles, yet didn't receive the same critical acclaim as they did, is Larry Peerce's superb thriller, The Incident.

In a scene that would not feel out of place in Martin Scorsese's Mean Streets we are introduced to two foul-mannered delinquents, Artie (Martin Sheen) and Joe (Tony Musante, pictured below), playing billiards and tormenting the owner of a snooker hall by refusing to acknowledge it is well past closing time. When they eventually head out into the night we begin to see the full force of their volatile and violent nature as they take over a subway carriage and refuse to let an innocent group of passengers leave.

Although it starts out as a playful joke, the situation soon turns sour and the two hoodlums become hostile, berating every traveller in turn. With each passing moment the audience hopes that someone will intervene, particularly as there are two soldiers on board the carriage (albeit one with a broken arm) but no-one steps forward as they are all too fearful of becoming their assailant's next victim.

 Where The Incident really succeeds is in the portrayal of its victims. By taking the time to show each and every passenger prior to them boarding the tube, Peerce adds to the pervasive air of unease as the audience can relate to their predicament by empathising with the passengers. There are people of all ages who represent many different walks of life and we get to see them all fall apart under the scrutiny of their attackers. Peerce knowingly provokes us with the uncomfortable question - 'Would you intervene?' No-one knows for certain how they would react in such a situation but it poses a difficult question by challenging the audience's courage in the face of moral dilemma.

As well as putting forth an important social message, The Incident works on its own merit as a gripping thriller but the underlying meaning adds power and depth to Peerce's film and prevents it from being just another blistering assault on the senses. In this way, The Incident is likely to resonate with audiences who have a penchant for exploitation films as much as those who relish a thought-provoking commentary on society. If you are open to both of these attention-grabbing approaches of storytelling then I am certain that The Incident will appeal to you just as much as it did to me, and I urge you to seek out this obscure gem as soon as possible.

If you take the time to watch The Incident then it would be awesome if you could also take the time to let me know what you thought of it, either by commenting below or tweeting me @filmbantha. Thanks, and enjoy!

For previous instalments in the series click here

100 Essential Films that deserve More Attention - 2. Final Cut: Ladies and Gentlemen

People embrace the enchanting glow of the big screen for all manner of reasons; to journey to faraway places they could only ever imagine, to escape from the monotony of everyday life, or maybe to indulge in an obsession with the world of cinema. For me, all three of these reasons apply - and many more - but first and foremost is the satisfaction of recommending obscure films to other like-minded individuals who adopt them as their new favourites.

With over 100 years worth of films to choose from, and many of these now available at the click of a button, it can be extremely difficult to narrow your choices down to pick a film to watch. Although cinema has been around for over four times longer than my life on this earth, I have spent what some may consider an unhealthy amount of these years delving into the history of films to discover some of the best hidden gems out there.

This series of articles aims to highlight the overlooked masterpieces that I have unearthed whilst exploring the forgotten recesses of cinema. Take a gamble on any one of these films and I guarantee that you will be eagerly awaiting all future instalments in this series. You may well have heard of a number of these films; my aim isn't merely to shine a spotlight on the most obscure films out there, but to share my enjoyment of those films which don't have the cult following I believe they deserve.


Final Cut: Ladies and Gentlemen

Director - Gyorgy Pálfi

Country - Hungary

Year - 2012

Runtime - 84 Minutes

Imagine a film that takes memorable scenes from all of your favourite movies and pieces them together to create a single narrative, where shots of different actors are used to represent the same character, and all form part of a new, yet familiar storyline. Director György Pálfi has done just that, and although copyright issues prevent the film from ever being officially released it is (at the time of writing) available on youtube for all to enjoy, and I have included the full film at the bottom of this article should you wish to consider my recommendation - trust me, you won't regret it! Where else would you be able to see Anthony Perkins (as Norman Bates from Psycho) smiling maniacally after Sharon Stone flashes him during a romantic meal?

Pálfi has painstakingly sifted through countless hours of footage to create Final Cut, and his unbounded passion for film is clear to all who behold it. Every film fan will relish the opportunity to play 'name that movie' throughout the film's runtime - I certainly did - although the simple yet effective boy meets girl storyline adds another layer of enjoyment to this incredible labour of love.

The films used range from mainstream cinematic classics such as Pulp Fiction and Singin' in the Rain to lesser known gems, like The Hill and Closely Observed Trains, and finally on to more obscure Hungarian pictures (that English speakers like myself are unlikely to have ever encountered before). All of these have been carefully spliced together in a way to create the illusion of a seamless narrative, in a manner that is both enthralling and incredibly impressive. Although foreign films are used there are unfortunately no subtitles to accompany the different languages which feature in Final Cut (unless you can read Hungarian). Thankfully, this doesn't detract from the experience as Pálfi relies on visual cues to form the basis of his storytelling; a look or a gesture can be just as expressive as spoken words - if not more so - and there are actually very few clips where words are uttered by the actors.

By utilising a selection of evocative film scores to accompany Final Cut, Pálfi taps in to our emotional receptors as it is difficult to listen to such grandiose and stirring themes without recalling the emotions we felt during previous encounters with the music. Artists such as Vangelis (Chariots of Fire), Michael Nyman (The Piano), and Simon & Garfunkel (The Graduate) feature among a host of eclectic musicians whose only connection is that their music has previously been used as an unforgettable backdrop to a powerful cinematic canvas. Hearing these familiar sounds cut to visuals that we wouldn't normally associate with the music is a satisfying experience for any film fan, and is another reason why Final Cut is deserving of far more attention that it has garnered since its inception.

You might be mistaken in thinking that Final Cut is nothing more than a novelty but I have watched it numerous times and find that it improves on repeat viewings. My first encounter with Final Cut left me in awe at the sheer volume of clips on show, as my brain frantically scrambled to identify the films which had been used to create this unconventional masterpiece. Following on from this, I managed to look past the clips on display and immersed myself into the beautifully realised story that elevates Final Cut to its position as a monumental tribute to the world of cinema.

If you take the time to watch Final Cut then it would be awesome if you could also take the time to let me know what you thought of it, either by commenting below or tweeting me @filmbantha. Thanks, and enjoy!

For previous instalments in the series click here